It all started from Mumbai. Now, Khan's fan base has spread from the US, UK and West Asia to Malaysia, Indonesia, Japan, Germany, Egypt, Jordan, Morocco, Kuwait and Palestine. Of the top 10 Bollywood movies that earned the most overseas, seven had Khan in them.
Aseem Chhabra lists the top 10 films at the recent Toronto International Film Festival.
Sreehari Nair wasn't impressed with Rangoon at all. But find out which film tops his list!
'Mohammad Akhlaq's death isn't only about a Muslim being killed out of sheer communal bigotry, but also the denial of the Constitutional guarantees of "due process" under Article 21 and the freedom of choice,' says Shehzad Poonawalla, who has moved the National Commission for Minorities over the murder.
Sheela Bhatt meets Bharti Patel, a truly exceptional mother of our times whose son Dr Vikram Patel was recently ranked among Time magazine's 100 most influential people of 2015, to find out her recipe for a remarkable upbringing.
When an accused gets attacked on the way to court, and again within the court premises, with no intervention by a judicial officer, which space is safe, asks Jyoti Punwani.
'Amit Shah was, briefly, a stockbroker before devoting himself to politics. By instinct or training, he knows the value of keeping blue chips in one's portfolio.'
Here's a glimpse at what happened around the world last week
Hers is a rags-to-riches story for the ages, peppered with risks, determination and strokes of luck.
Twenty years after the demolition of the Babri Masjid, India is in rebirth mode. Whether there is a Babri Masjid or a Ram temple or not in Ayodhya, India will go on. And it will see many tomorrows, says Syed Firdaus Ashraf.
'As a governor, I have every right to speak my mind if I feel the security of my country is at stake.' 'Why is it that we would have to shed tears when Muslims are killed or tortured, but have to keep mum when the Hindus receive the same treatment?'
Jyoti Punwani examines the relevance of the Sairat, the hit Marathi film everyone is talking about, in today's times.
'Perhaps the biggest indication was its striking decision in November to delink LeT from its aid certification process.' 'The administration decided that the US, in order to send military aid to Pakistan, would not need to certify that Pakistan is cracking down on LeT.' 'Perhaps the administration was trying to offer a carrot -- in effect, we're backing off on LeT, but in return we expect you (Pakistan) to go after the Haqqanis.' 'Either way, the optics were dreadful for the US given that Hafiz Saeed was released from house arrest a few days after the US move.' 'The US reacted angrily, but eventually it moved on, and refocused on its core concern: The Afghan-focused terror groups.'
The year threw up quite a few shockers, some rather rude one. Below are Rediff.com's 12 picks that made us sit back and think, 'Did that really happen?'
Moushumi Chatterjee, one of the biggest stars of her time, gives us a peek into her life.
'Those who have seen the functioning of the Modi government in Gujarat know that the issues related to Hindutva and issues of economy and growth function simultaneously.' 'Modi's politics are based on the understanding of the middle-class consumer society which is in pursuit of material aspirations.' Sheela Bhatt/Rediff.com reveals the Modi government's economic and political plans for the year ahead.
'Communal killings take place routinely in our country and yet we don't ever convict the offenders.' 'The riots of 1993 and 2002 would not have happened if justice was given to the 1984 Delhi riot victims.'
'I can tell you the case that hurts me the most is the one in which the little boy is forced to sign the Kohinoor over.' 'You take a mother away from a child, you surround him with grown ups speaking a different language, you tell him he must sign this over or else...'
No-Punchline humour reminds us how in our daily lives, we all are by turns 'The Corrupt Politician we criticise,' 'The Chauvinist Male we frown upon,' 'The Rule Breaker we deride through our Facebook posts,' 'The Communal Virus we so easily lampoon' and 'The Bad Artist we spoof.' In a land where the aforesaid prototypes are our major sources of 'funny,' is there an audience for the NPL kind of humour, asks Sreehari Nair.
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